Queen Elizabeth Hall, London 2018 – 9
Role
FOH Mix engineer, live video mix engineer
Overview
The Queen Elizabeth Hall was toured to for contemporary dance performances
Marjorie’s World Unhinge (2006) is a dance-theatre work by Maresa von Stockert and Tilted Productions that combines choreography, narration, video projection, and sound design to tell the surreal story of an ageing ballerina and the eccentric characters around her. The performance integrates filmed sequences, voiceover narration, and layered soundscapes with live movement, creating a fragmented narrative that shifts between reality, memory, and fantasy. Live sound captured through radio microphones is seamlessly blended with pre-recorded audio, allowing spoken text, ambient sound, and composed sound elements to move fluidly between live and mediated sources. Blending dark humour with expressive movement and multimedia elements, the piece explores themes of ambition, rivalry, identity, and the pressures of life in the performing arts. Other touring dates, UK Tour Sept 2006 – March 2007. Mercury Theatre, Colchester; The Junction, Cambridge; Bowen, West Bedford; Gardner Arts Centre, Brighton; Lakeside Arts Centre, Nottingham; Miskin Theatre, Dartford; DanceCity, Newcastle; LABAN, London; New Wolsey Theatre, Ipswich; Dartington Arts, Totnes; Taliesin Arts Centre, Swansea; DanceXchange, Birmingham; The Lowry, Salford; Dundee Rep; Traverse Theatre, Edinburgh; Merlin Theatre, Frome; Queen Elisabeth Hall, London; The Point, Eastleigh; Wycombe Swan, High Wycombe; ShowRoom, Chichester; Worcester Swan; LEAP Festival, Liverpool; Theatr Brycheiniog, Brecon.
Glacier (2008) is a dance-theatre work by Maresa von Stockert for Tilted Productions that explores themes of isolation, emotional distance, and fragile human relationships. The piece relies on contemporary choreography and physical performance to convey its narrative, supported by an inventive musical score composed by Jeremy Cox, which underscores the tension and subtle shifts in the dancers’ interactions. A minimalist set evokes the feel of an iceberg, reinforcing the sense of coldness and emotional stasis, while the combination of movement and music gradually reveals the potential for emotional thaw within this stark, atmospheric world. Tour dates Queen Elizabeth Hall, Southbank Centre, London Nuffield Theatre, Lancaster University Merlin Theatre, Frome (review referenced) Mercury Theatre, Colchester (co‑producer venue) DanceEast (Jerwood DanceHouse), Ipswich (co‑commission host)
